That’s an interesting description. I’ve heard Ueshiba was physically very strong — built like a tank. I believe he was close to 170 lbs. and only a little over 5 feet tall.
That’s what I was told and you can certainly see it if you look at pictures when he was young. He was very muscular. But at the time I knew him, I was a 20 year-old kid, so he just looked like an old man to me, even though he was younger than my age now (laughter). He was usually very mellow, but he sure could have a temper sometimes.
“I don’t like how some people think of O-Sensei as some kind of a god or saint. I’d rather see him as a human being.”
How would that manifest?
My uncle, Tadashi Abe, and others would often talk about him and some of the descriptions were really frightening. But most of the time when I was around O-Sensei, he was just a nice old man with a really good sense of humor. However, sometimes, once in a while, he would lose his temper in a pretty extreme way. That was really scary actually.
He was a very kind and compassionate person and that’s one of the reasons he was so respected. But sometimes he would just lose his temper. And this actually was fine. It made me realize he’s just a human being like the rest of us. I don’t like how some people think of O-Sensei as some kind of a god or saint. I’d rather see him as a human being. Sometimes mad, sometimes sad, sometimes smiles. I don’t want to make him like a god.
I think that’s a great perspective. Some people do seem to deify him, which I believe creates unhealthy cultural dynamics in the aikido world. I also think it psychologically limits some people as they start to believe that his level of skill and understanding can never be matched — that we’re all destined to just be watered down, or inferior versions, of the founder.
I agree. I’m not O-Sensei, but I don’t want anyone to think of me as a god or some special being. Come on, give me a break. I’m just a human being. I get mad, I cry, I make mistakes. I have flaws just like everyone else, including Morihei Ueshiba.
Let’s transition a bit and talk about your work in building the aikido community in the United States. When you came to the continental US, there was almost no aikido presence, right?
Almost nothing. That was 55 years ago now. There was only aikido in Hawaii and a little bit on the West Coast. Almost nothing on the East Coast.
Over the years, you built up a loyal following and a large organization. The largest in the United States actually. How did you go about building that up, increasing awareness, and getting people excited about aikido ?
Well, it wasn’t only myself. I really have to give a lot of credit to Koichi Tohei. Regardless of what happened between him and me; he was my teacher and I was his student. We owe him a lot. At the time, there was no internet, no video, nothing. One of the main ways people would find out about aikido would be through his books. And he was very charismatic, very strong physically, and very strong mentally. Of course, just like everyone, he had his bad points too, but we should never lose respect for the great contribution he made in spreading aikido.
I agree with you Sensei, but you also made huge contributions yourself….
Well, I don’t know. I think a lot of it was just good timing. At that time, all of the Japanese martial arts were experiencing a rise in popularity. We especially owe a lot to karate. We really rode on the wave of their growth, you know?
At that time, karate was becoming quite popular and they had tournaments almost every month. Every time they had a tournament, they would ask me if I’d like to come demonstrate. So everyone would be at the karate tournament, and even if you love karate, you can get a bit bored watching the same thing for two hours straight. Then during the intermission, I’d come out and do an aikido demo. For 10 minutes, I’d show something that looked so different from karate — it really amazed people. Then I’d disappear, and people would wonder, “What was that?” Sooner or later, people would start to seek us out.
At the time, it was a good way to generate interest. I’d let them worry about finding us, let them think about it, and wonder about what we’re doing. I never explained anything about aikido during those demonstrations. I just performed high-impact demos leveraging someone else’s events. In a way, it was really good.
“As long as the fundamentals are common, everyone should have their own expression of aikido and their own ways of practice. As long as there’s a common basic foundation, you should come out different. You have to be different.”
Sounds like a clever way to tap into receptive audiences.
Yes, maybe because of my personality, the karate people really liked me and were happy to give me the opportunity. But it was really nothing special in terms of a strategy. It was still very difficult in the beginning. Everywhere I went, no one had money. I had to take Greyhound buses everywhere. I’d travel to Florida and other places, and it was a really lean time. No money. That’s just what it was. The aikido society was small at the time and no one was willing to pay much for seminars and instruction. But that was the only way at the time.
At that time, did a lot of the people who came into aikido have experience in other martial arts?
Oh sure. Lots of karate and judo people. It was really nice. I think aikido fit the mentality of the judo people a little better, but it was great to have people with other backgrounds coming into aikido.
On a related note, what do you think about aikido instructors who cross-train in other martial arts? Do you think that’s a good idea or a bad idea? For example, do you think it would be good for some aikido instructors to learn basic concepts and techniques from judo, boxing, or other arts? And to be able to interact with, and get feedback on their aikido from instructors in other arts?
Sure. I think it’s really up to the individual. Anything that can help you learn and grow is good. I learn from my students quite often, for example. You have to be humble and have an open mind. Find your own way to develop yourself.
I spent some time with Bruce Bookman Sensei last year and he talked about what he found so extraordinary about you the NY Aikikai. He respects how successful you’ve been at allowing so many different kinds of people to practice together in your dojo. Different cultures, different backgrounds, different technical approaches…
Oh, Bruce. He started when he was a kid. When it comes to different kinds of people and practice — I don’t care. I don’t want to put people in a certain category. I respect individuality. As long as the fundamentals are common, everyone should have their own expression of aikido and their own ways of practice. As long as there’s a common basic foundation, you should come out different. You have to be different. I respect, and almost demand, individuality. I don’t like people to copy me, or to try to be a copy of me. No way.
One day I was watching one of Dan Inosanto’s classes at his academy and he said something very similar. He asked two of his students to stand up in front of the class and demonstrate the same technique. One was a big guy and the other was a small woman. They executed the technique quite differently. Guro (Sensei) Dan made a point of it, and said, “They’re not going to wear the same clothes, so why should they do the technique the same way?”
You’ve been doing aikido for a long time. In your career, what do think of as the high points and low points?
Yeah, I’ve been doing this for too long. People won’t let me quit (laughter). In terms of highs and lows, this is a bit of a touchy subject.
I’m very happy in the way aikido became so popular so quickly, but in a way, I feel something is off, because now so many people are involved in teaching aikido who maybe shouldn’t be. I’ve heard some senior people say that maybe 60-80% of people who are teaching aikido now shouldn’t be. In a certain sense, I feel same way.
A lot of the good things about aikido are also bad points. That’s why we’re in such a difficult position now. Because aikido is very open to everybody, everyone can do it their own way, and if you want, you can teach almost immediately with little quality control. We ended up with too many instructors too quickly and this impacted the overall quality of what we are doing in the aikido community. Because there’s no competition in aikido, it’s quite difficult for people to measure or gauge skill or test the quality of various technical approaches. This is one problem.
“I’ve been building the aikido society here for 55 years now. Maybe now it’s up to your generation to figure it out.”
I often think that one of the greatest things about aikido is its absence of competition, but it’s also one of the worst things from certain perspectives.
Right. That’s a good thing about aikido, but it also creates trouble. Bad instructors can still retain students and that’s not great for the art. In other arts, you can test and compete together to find out both who is better technically and who is a better teacher who can raise better students. But aikido is different. Actually, we cannot do this. People just say, “My aikido is different,” but there’s no reliable way to measure teaching skill and technical skill.
Do you believe the aikido ranking system is a reliable way to represent instructional or technical skill?
Well, that’s another big subject, the ranking system in aikido. I don’t believe it. O-Sensei didn’t believe it. He never had a system. I think that once you get a black belt, that’s enough. I don’t think there’s a need for dan numbers. Instead of numbers, maybe you can use titles like Hanshi, Kyoshi, whatever.
I don’t go for this numbering system. People’s rank has little to nothing to do with quality levels. And aikido is to supposed to have no competition, but give me a break, the ranking system creates huge competitive dynamics.
For commercial reasons, black belt is important, but when you reach black belt, that should be it. This is just my opinion, but many people might agree with me. It’s a touchy subject though, so maybe that’s why more people don’t speak up about it.
“A lot of the good things about aikido are also bad points. That’s why we’re in such a difficult position now.”
What are your thoughts on the future of aikido?
Many people ask me this and I often say, “Excuse me, but unfortunately, I’m very negative about the future right now.” The way things are, I’m not terribly optimistic.
I appreciate your openness to discuss this. I think it’s important to have an open dialogue about it if we want to make things better for the future — to change that trajectory.
I hear the aikido population is now decreasing, is that true?
We have access to quite a bit of data and it does look like interest levels have dropped dramatically and newer people coming into the art has dropped off significantly. A lot of dojos won’t feel the full impact of this yet because a lot of the same old-time practitioners are still in classes, but fewer and fewer beginners are coming in, so they just see a slow aging and shrinking of the population. But when the current generation of experienced practitioners is not around any more, we could very well be left with a huge vacuum. I don’t think we need to panic and things won’t fall off a cliff tomorrow, but we need to start doing something differently if we want aikido to be around in a meaningful way for the next generation.
“To the instructors, I would say strongly not to sit and relax…Please improve yourself, not for yourself but for your students and for the art of aikido. This is your responsibility. Take it seriously.”
Well it’s a good thing that you’re collecting information about this because I don’t think anyone else is. I don’t know if it’s good or bad that we shrink. But one thing is for sure — there aren’t many people left who had direct experience with the founder. I hope people will make the best of the opportunity to get information from us before we are all gone.
What are your thoughts or ideas on how we should move things forward to create the best possible future for aikido?
I’ve thought about it, but I don’t really have any solution. I’ve been building the aikido society here for 55 years now. Maybe now it’s up to your generation to figure it out.
Optimistically, I do think there are a number of people ready to rise to that challenge. People who have access to great mentors like yourself, and who also have passion, ideas, and the skill to make a difference. Let’s transition to a lighter topic. Do you have a funny story you can share with us?
I had a dream one time about O-Sensei. I asked him, “Sensei, why did you take all of my friends to heaven with you?” He said he was very busy teaching aikido in the heavens and he needed some help, so he took all of my peers with him. I asked him, “Yeah, how about me? Why did you leave me behind?” He said, “No way. You didn’t finish your mission on earth yet. Keep going.”
Thank you for sharing that, Sensei. The story made me smile. Do you have any final thoughts or message you’d like to share with the aikido community?
For all practitioners, I’d like to say that aikido is a very unique martial art and I hope you enjoy its practice. But my main message is for instructors. To the instructors, I would say strongly not to sit and relax. You are still on your way. Aikido is an endless study until you die. Please improve yourself, not for yourself but for your students and for the art of aikido. This is your responsibility. Take it seriously.
Special thanks to Glenn Brooks, dojo-cho of Aikido of Scottsdale, for hosting the interview during his March 2019 seminar with Yoshimitsu Yamada and Skip Chapman.
This content was originally published here.